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| Bigelow - Picture by Time |
The film centres around a raw recruit in the C.I.A Maya, played by Jessica Chastain, as she joins an intelligence team and her pursuit of the illusive Osama Bin Laden, intent on bringing him to American justice. The first hour of this movie focuses heavily on the tactics of torture, which at first Chastain is uneasy with, until she becomes hardened to the perceived merits and benefits of torturing someone to provide results. After all, military intelligence is a results driven business and business in this world are bodies in bags.
The movie depicts the various scenes of terrorist acts since 2001, starting with a black screen and the harrowing voices of victims in the twin towers in their last moments to control operators, through to the marauding gun men of Mumbai in 2008. It does not however show us any of the terrorist acts committed by the U.S. and UK governments on our behalf that have taken place during the same time frame. Time and again we hear how many people were killed during the attack on the twin towers, but not once do we hear how many civilians have been killed at the hands of our troops at the direction of their commanders in chief, George W. Bush, Tony Blair, Barack Obama and David Cameron respectively. We know exactly how many troops have been killed or maimed by the insurgents since operations began in 2001 but not how many children have been orphaned or suffered loss of limbs, robbing them of their fundamental right to play. We even know how many journalists have been killed in the different theatres of operation. When it comes to the civilian casualties of these wars, we are given estimates in the tens of thousands or 'thereabouts'.
To say it is one sided is to put it mildly.
It is of course highly likely that the Pentagon had access to the script; it is not uncommon these days for the Pentagon to review scripts before they commit to helping directors with the use of equipment or military personnel for scenes. This was exposed in a documentary on Al Jazeera called Hollywood and the War Machine where they interviewed a man from the Pentagon's Hollywood department, Phillip M. Strub, who features in a tremendous list of credits for military movies. It is here that Hollywood come cap in hand for access to specialist machines and personnel in exchange for the military having influence over the script. What we are left with as consumers is a one sided, watered down version of whatever the director's original vision of a movie was.
Zero Dark Thirty is another example of what some call 'war porn', which salutes the godly duty of servicemen and women of our armed forces to do 'what is necessary' to get the job done. What it fails to mention is the Geneva Convention relative to the treatment of Prisoners of war, specifically Article 3, which clearly outlines what is prohibited. There was no mention of this during the two hours and thirty minutes but there was a candid comment from one of the main characters who said: "Do not be the last person caught holding the dog lead." This was reference to the revelations in 2004 at Abu Ghraib and just about sums up the feeling towards torture in many areas of the state.
It should be remembered the feeling by general society of the treatment of prisoners during World War Two at the hands of the Japanese for example. These people were armed combatants that were caught by an opposing military force. Some of the people that have been subject to the torture and indefinite detainment subject to the rushed through terrorism laws, have been done so solely on the suspicion of terrorism in some way.



